Ouevre

Little things grow (2018) 10′

Orchestration: fl/cl/vn.vc/perc/pno/electronics

樂 絲 Silk, 木 Wood. (2015) 9′
Orchestration: fl/bcl/vn.va.vc.db./pf

A Golden Child (2024) 5’
Orchestration: cello, harp

Alterity (2010) 20′

Orchestration: flute(piccolo, alto & flute), toy piano, piano & Electronics
Text: a reflection on Emmanuel Levinas, On Escape, De l’évasion, 1935
Video: Tamara Friebel

A fragmented hyacinth stain (2010) 13′

Orchestration: Soprano recorder, Quartz bowls 

Alternate orchestration: Soprano Saxophone, Quartz bowls 

Alternate orchestration : soprano recorder & Electronics (4-Channel Max/Msp Ambisonic Patch)

Ashes. Gold (2014) 6′

Orchestration: Flute, Clarinet & Accordion

Attractive privacies of breathing borders, still. (2020) 11′

Orchestration: fl/sax/vn.db./vibraphone

Awaken Thy Dragon(2024) 20’
Orchestration: Bass clarinet & Electronics

Das Schallstück (2004) 3′

Orchestration: Bassoon Duo (pedagogical work)
Publisher: Auf die Plätze, Fagott, los! Band 2 (Doblinger, 2004)

Delicate Waters (2023) 5’
Orchestration: vn.vn./sax/pf

Everything dances, but the dance itself does not stop (2019) 20’
Orchestration: recorder (sop), fl, db, organ, Electronics(sruti box)
Theatre Performance: Baslertotentanz

Into the waterfall (2020) 20′

Orchestration: Recorder (Great Bass Paetzold, Soprano), Cello, Electronics (Max/Msp)
Video: Tamara Friebel

Instant Memory Trace I or learning to breathe (2011) 10’

Orchestration: Baroque Flute, Harpsichord, (Ping pong balls), Electronics

Mother Beauty, an Indian Tale (2021) 10′

Orchestration: sprechstimme speaker, Guitar (pedagogical work)
Text: Tamara Friebel, German/English

Nausea (2009) 20′

Orchestration: viola d’amore, toy piano, piano & electronics
Video: Tamara Friebel
Text: a reflection on Emmanuel Levinas, On Escape, De l’évasion, 1935

Ostinato (2004) 5′

Orchestration: Bassoon (pedagogical work)
Publisher: Auf die Plätze, Fagott, los! Band 1 (Doblinger, 2004)

Schallstück am Ende Verrückt (2004) 8′

Orchestration: Bassoon duo (pedagogical work)

suisse pavillon blasquintett (2003) 7′

Orchestration: fl/ob/cl/hn/ba (wind quintet)

The agility of perspective nearness in a lake of being (2020) 10′

Orchestration: Violin, Guitar

The Penguin March (1990)
Orchestration: Flute, Piano (pedagogical work)

Twilights, Dancing around us (2015) 11′

Orchestration: Baroque Flute, Harpsichord
Alternate Orchestration: flute, piano

Wind up your Desire (2014) 10′

Orchestration: cl/vn.vc.db. & gramophone (pressed record)

Alternate Orchestration: cl/vn.vc.db. electronics

Defragmented hyacinth stain (2010) 13′

Orchestration: Prepared Contrabass Recorder (brass shim), Electronics

Jujun una voce (2009) 12’

Orchestration: Flute (bass, piccolo & C) Electronics (8 channel track (Max/Msp patch)

Kuss! for Urbo Kune (2014) - 5′

Orchestration: Saxophone (alto) (pedagogical work)

Dance Me to My Rebirth (2017) 8′

Orchestration : Harpsichord, ping-pong balls (video score)

Alternate Orchestration : Harpsichord, Electronics
Video: Tamara Friebel

Little things grow (2022) 3’
′
Orchestration: Piano, Electronics

Ave Maria (2020) 3’30”
Chorus: SSAA

haus der wünsche (2018) 4′
Chorus: TTTTBBBB
Text: Maja Haderlap, Tamara Friebel

träumende sprache (2018) 4′ 
Chorus: TTTTBBBB
Text: Maja Haderlap

Attractive Privacies of Breathing Borders, in one solitary universe. (2015) 8′

Chorus: SSATB
Orchestration: flute

Illuminations (2021) 54′

Krems Version
Soloist: Soprano solo
Chorus: SSSAAATTTBBB
Orchestration: Flute(Bass, C), Cello, Percussion

Text: Sanskrit Beej Mantras

Illuminations Ossiach (2023) 8′

Ossiach Version
Chorus: SSAATTBB
Orchestration: Violin
Text: Sanskrit Beej Mantras

An Epic in the Glasshouse (2010) 15’
Soloist: Soprano
Orchestration: cl/vn.vc. Electronics

Aria to fallen blossoms (2014) 8′

Soloist: Soprano
Orchestration:fl/cl/vn.
Text: Japanese

Sappho Fragments (2017, 2020, 2022) – 23′
I. Awakened Flutters II. A Silver Birth III. Crown thy Earth

Orchestration: Soprano, Violin

Text: Sappho, Ancient Greek

cotted child of yestereve (2007) 9′

Soloist: Soprano
Orchestration: 2 string quartets

Text: excerpts from James Joyce, Finnegan’s Wake

Exquisite Loneliness, Breathe. (2015) 13′

Soloist: Soprano
Orchestration: Recorder(sop), Perc. Electronics
Video: Tamara Friebel

Hommage á Pablo Neruda (2005) 8′

I. Always you haunt me
II. Sometimes a piece of sun
 III. No one saw

Orchestration: Soprano, Piano

Text: after Pablo Neruda, Tamara Friebel

Jujun (2009) 11′
Soloist: Soprano

Orchestration: fl/va.pf (prepared) & Yin Yang balls, Electronics
Text: Mary Bautista (Tzotzil Poetry)

Kleine Worte (2007) 3′

Orchestration: Soprano, Piano

Text: Tamara Friebel

Know thy swan (2022) – 10′

Soloist: Soprano

Orchestration: Saxophone (sop), Percussion (Quartz Bowls)
Text: Sanskrit Beej Mantras

Lotus Sonnet (2022) – 10′

Soloist: Soprano
Orchestration: Clarinet, Piano
Text: Tamara Friebel

One Light (2021) – 18′

Soloist: Soprano
Orchestration: Flute, Accordion, Percussion

Text: Tamara Friebel, German/English/Sanskrit

Sappho: insolentia papyrus fragments (2007) 12’

Soloist: Soprano & wineglass
Orchestration: prepared piano, Electronics (sound installation recording 24 hours)

Text: Sappho, Ancient Greek fragments

The Dissociative Said (2011) 4′

Soloist: Soprano, Electronics
Video: Tamara Friebel

Text: Tamara Friebel

The Ocean of Beauty (2022) 5’
Soloist: Alto, Soprano

Text: Saundarya Lahari

The stars are still in your eyes (2015) 14′

Soloist: Soprano & Electronics
Video: Tamara Friebel

Trill of the Human Bird, a Metamorphosis (2011) 14’
Soloist: Soprano

Orchestration: Electronics & “steel instrument”

Text: Tzotzil Poets Mary Bautista & Mariando Reynaldo Vazquez Lopez

Voice Triptych : Voce silenzio, voce acqua, voce sogno (2008) 13’
Soloist: Soprano

Orchestration: keyboards (harpsichord, celesta, prepared piano) Electronics
Text: excerpts from numerous authors in Nathalie Latham’s “speaking through water”

yelobal karaoke (2009) 7’
Soloist: Soprano

Orchestration: pf (prepared) & Yin Yang balls, Electronics

Text: Mary Bautista (Tzotzil Poetry)

Canto Morph (2012) 45′
Soloist: Soprano, Recorder(soprano)

Orchestration: fl/clvn.vc.pf Electronics

Libretto: excerpts from Ada Negri’s Tempeste (1896)

Of secrets, I am silence (2016) 60’

for Schloss Damtschach/Carinthischer Sommer

Tamara Friebel(Artistic Director & Concept: Art project with multiple sound installations, video installation, performance, compositions)

Artists: Tamara Friebel (Piano, Vocals), Herwig Neugebauer (G-Violone), Johanna Orsini-Rosenberg (actress), Marie Orsini-Rosenberg (Baroque Cello), Markus Orsini-Rosenberg (painter)

Suns & Daughters (2017) 60′

for Schloss Damtschach/Carinthischer Sommer

Tamara Friebel (Artistic Director & Concept: Art project with multiple sound installations, film/performance, compositions)
Concept: Tamara Friebel
Artists: David Bergmüller (Lute),Tamara Friebel (Piano, Vocals), Herwig Neugebauer (G-Violone), Johanna Orsini-Rosenberg (actress), Marie Orsini-Rosenberg (Baroque Cello), Markus Orsini-Rosenberg (painter)

There’s no clock in the forest (2019) 60’
for Schloss Damtschach/Carinthischer Sommer

Tamara Friebel (Artistic Director & Concept: Art project with multiple sound installations, film/performance, compositions)

Artists: David Bergmüller (Lute), Roswitha Dokalik (Baroque violin), Tamara Friebel (Piano, Vocals), Herwig Neugebauer (G-Violone), Johanna Orsini-Rosenberg (actress), Marie Orsini-Rosenberg (Baroque Cello), Markus Orsini-Rosenberg (painter)

The Unself Triptych: Nausea, Alterity, Stollen (2009/12) 50’

Orchestration: viola d’amore, toy piano, piano, flutes(piccolo, alto flute, flute) voice & electronics 
Video: Tamara Friebel

Nausea (2009) 20′

Orchestration: viola d’amore, toy piano, piano & electronics
Video: Tamara Friebel

Text: a reflection on Emmanuel Levinas, On Escape, De l’évasion, 1935

Alterity (2010) 20′

Orchestration: flute(piccolo, alto & flute), toy piano, piano & Electronics
Text: a reflection on Emmanuel Levinas, On Escape, De l’évasion, 1935
Video: Tamara Friebel

Stollen (2012) 5′

Orchestration: Vocals, Electronics
Video: Tamara Friebel


You are My dream (2015) 50’


Part I: The stars are still in your eyes (2015) 14′

Soloist: Soprano & Electronics

Part II: Warmth (2013) 15′

Soloist: Soprano
Orchestration: Cello, Perc, Electronics

Part III: Exquisite Loneliness, Breathe. (2015) 13′
Soloist: Soprano

Orchestration: Recorder(sop), Perc. Electronics
Libretto: Tamara Friebel
Video: Tamara Friebel

Warmth (2013) 15′
Soloist: Soprano

Orchestration: Cello, Perc, Electronics

Deflections: A sonic circus Performance, 2. Act (2011) 30′

with Nathalie Koger/BRUT Production Vienna

I. blind etude 
II. paint étude
 III. live prepared electronics etude 
IV. silent étude
 V. foil étude
 VI. slow motion etude

Orchestration: prepared Aerial Ring, samples/deflections, prepared “hula hoops” and foil with live-electronics
Dance/Choreography: Annabel Carberry

Hula Hoop. I’m out of breath. All for you. (2012) 15′

Orchestration: Electronics, brass shim & objet trouvé – 2 coffee grinders, gramophone
Choreography/Dance: Annabel Carberry (hula hoops)
Video: Tamara Friebel “an antique Estey pump organ”

…I’m out of breath… all for you (2012) 15′

Orchestration: Vocalist/Sprechstimme, Accordion, Perc (Tam-Tam), Electronics, Objects: brass shim & objet trouvé – 2 coffee grinders, gramophone
Choreography/Dance: Annabel Carberry (hula hoops)
Video: Tamara Friebel “an antique Estey pump organ”

Suffragi (2008-9) 52’

Suffragi “Anonymous” homage á Shostakovich (2008) 14′

Orchestration: String Quartet
Video: Nathalie Latham
Dance/Choreography: Evguenia Chtchelkova
Costume: Melinda Stokes

Suffragi “Anonymous” (2009) 14′
Orchestration: String Quartet
Alternate Orchestration: Electronics
Video: Nathalie Latham

Suffragi “Muskat” homage á Bach (2007) 12′
Orchestration: Viola
Video: Nathalie Latham

Suffragi “Muskat” (2009) 12′

Orchestration: viola d’amore (prepared) & Electronics
Video: Nathalie Latham

There was never any war up here. (2014) 12′

Soloist: Soprano
Orchestration: fl, vn.vc.perc.accordion Electronics
Concept/Text/Composition: Tamara Friebel
Video: Nathalie Latham
Choreography/Dance: Evguenia Chtchelkov

Jsimtasbanajetik (2009) 12′

Orchestration: Electronics (8-channel)
Video: Tamara Friebel

The Dissociative Said (2015) 5′

Orchestration: Electronics (4 channel), gramophone
Video: Nathalie Latham “A Perennial Memory”

The Spring (2019)
The Spring 5’54”
Hang a Pearl 6’14”
Come, Come (Varuna Mantra) 19’01”
Orchestration: Electronics (multi-channel diffusion)
Text: Sanksrit

‘This is the time when I also have nothing more to say’ (2012) 10′

Orchestration: Electronics (8-channel diffusion)

40, 000 years of modern art, a re-enactment (2012) 20’
Project: Khadija Carroll
Tamara Friebel: Sound & performance Concept
Artists: Joanna Christie (voice) and Kirill Burlov (dance & choreography), Tamara Friebel (live electronics, mirror glass plates & pencils)
Saturday Event: on Language | ICA The Mall London

A body of one’s own: Schismogenesis (2012) 15′

Orchestration: Contrabass Recorder (Gobi Drab), Electronics (5 microphones)

A Dried Memory (2014) 12′

Orchestration: Recorder (Paetzold, Soprano) (Gobi Drab) & 2 Gramophones: with 3 records

Hast du mein Bild gehört/Have you heard my picture? (2012) 20′

Orchestration: Recorder, samples, a helium balloon loudspeaker & Electronics
Video: Tamara Friebel

Her speaking is as soft as a lotus (2019) 2’32”

Orchestration: Voice, Electronics (4-channel Max/Msp)
Text: Tamara Friebel

Luftadern/Balloon Artery (2012) 20′

Orchestration: Recorder (Paetzold contrabass) & Electronics (balloon loudspeakers)

Stollen (2012) 5′

Orchestration: Vocals, Electronics
Video: Tamara Friebel

Summer’s Honey Breath (2019)
Orchestration: Cello, Electronics

Surrender, the dream (2016)
Orchestration: Vocals, Zither, Electronics

Video: Tamara Friebel

The Hourglass | Die Sanduhr (2013) 15’
Orchestration: Vocals, Electronics
Tamara Friebel (voice, laptop, electronics, instruments)
Video: Nathalie Latham

There’s no clock in the forest (2019) 2’41”
Orchestration: Voice, Electronics (4-channel Max/Msp)
Text: Tamara Friebel, Shakespearean Sonnets

Without fire, charcoal, charred for a beautiful Boesendorfer (2012)
Orchestration: Piano (prepared with charcoal on paper)
Tamara Friebel (piano improvisation, recordings, producer) CD AO& 2045 no 13
Sound engineer: Christoph Amann, Curator: Luke Matthews

w/rap (2011) 15’

Orchestration: Contrabass Recorder, Vocals, Electronics

Audio Field Report no.18 (2014)
Interview with Tamara Friebel by Knut Remond
Limited Edition MC cassette, 8 copies numbered.

Speaking through water (2008) 5’

Soundtrack: Tamara Friebel (vocals, mixing, mastering)
Concept & Video: Nathalie Latham

Sun’s a Sister (2022) - 2’
Soundtrack: Tamara Friebel (vocals, keyboard, mixing, mastering)
Video: Renate Kordon

The Rise and Fall (2012) 8′
Soundtrack: Tamara Friebel -composition - a vinyl record, sides A & B
Artists: Hassan Hilmy (Arabic Translation) Readers: Issam Yahya, Leila Ezz-zine, Aisha Rbib, Khadija von Zinnenburg Carroll, Singers: سميرة المهنديز samira elmohadiz, ليلى مدوس laila modaouas, منى المطفر mouna elmodafar, إلهام الطالبي ilham etalibi, جميلة كروان jamila karaouane, فاطمة الزهراء نواس fatimazahraa naouas, لطيفة الغويشي latifa elghouichi, خديجة كوانكة khadija gounga, نورة بلبصير noura belbasir
Project: Khadija von Zinnenburg Carroll & Alex Schweder - The Rise and Fall

Trickptychon (2022) - 6’43”
Soundtrack: Tamara Friebel (mixing, mastering)
Artists: Sarah Chentalier (vocals), Tamara Friebel (vocals, Tibetan bowls, Bansuri Flutes), David Honegger (vocals)
Video: Renate Kordon (1984)

Was Schert es mich (2022) - 1’43”
Soundtrack: Tamara Friebel (stork samples, mixing, mastering)
Video: Renate Kordon (1984)

24 hours (2002)
Installation: Old tram poles prepared with fishing wire, bark and old tram studs in a fenced off yard “Unintrusive” Land Art, Brunswick, Melbourne

4 detuned piano études for Italo Calvino (2010) 8′

Video: Tamara Friebel (performance: Tamara Friebel (Piano)

a little city in my wohnzimmer (2014)
Installation: Old cupboard with shelving open, glass mirror inscribed, STL 3d models, projector, ghee lamp, Loudspeakers(stereo)
Soundscape: Who is ruling your kingdom dear ambrosia? (2014)

An accidental feminism (2014) 5′
Video & Soundtrack : Tamara Friebel

A perennial Memory (2014) 20′
Soundtrack: Tamara Friebel with recorder (Gobi Drab)
Video: Nathalie Latham
Installation: Cut flowers, Glass plates

Flowers given into sound (2017)
Exhibition: Photographic prints, 3d STL Models, Painted silk, Video installations, Various Prints
Kunsthaus Deutschvilla, Group Exhibition “Sehen des Hörens”

Glaskolben | Receiver (2013)
Installation: video, voice track & white plaster Autumn leaves
Artists: Tamara Friebel (Soundtrack), Nathalie Latham (Video), Bettina Wohlfender (Poetry, Sculpture)

I love you (2011)
Installation: Video projection, 6 channel for 14 Miniature loudspeakers, Objet trouvé (sea shells, a cupboard, chairs, film projection board and an old lute)
Permanent Collection Kranich Museum | Germany

Lady Justitia weighs her beauty, her words, her power over the forsaken with the weightlessness of snow (2012) 10′ 
Video: Tamara Friebel

The Dissociative Said (2011) 2′
Video & Soundtrack: Tamara Friebel with Loré Lixenberg (soprano)

Sisters of the Labyrinth (2024)
Exhibition: Printed 3d object in rosa quarz filament, set in branches, hung with fishing wire Sound Object with antique loudspeaker, soundtrack to Tricktypchon
Exhibition with Renate Kordon (Animation “Tricktypchon”, Paintings)

Somewhere between life and decay (2013)
Installation: Drying, decaying flowers: Amaryllis, Ranunculus, enamelled copper wire
Album Release: Tamara Friebel (piano) Limited Edition of 20

There was never any war up here (2014)

Video: Nathalie Latham
Soundtrack: Tamara Friebel
Installation: books, wire
Rondo Open Atelier, August 5 2014

The stars are still in your eyes (2015) 14′
Video & Soundtrack : Tamara Friebel

Who is ruling your kingdom, dear ambrosia? (2014)
Soundscape: Tamara Friebel
Installed in Knut Remond’s loudspeaker installation, Ohrenhoch, Berlin

Zero-Crossings (2013) 20’

Installation: Video in wooden apple box 20′
Galerie 69, Graz | Summer Confluence – Rondo KunstlerInnen, Aug 5 – 23 2013

A thousand petals (2020)
Crazy little sunshine girl (2020)
Garden (2022)
Sun’s a Sister (2022)
The Crown of Love (2020)

Shakespeare Sonnets: (2019)
Tears are Pearl
Text: Sonnet 34 Original, Sonett 19, transl. Josef Czernin

In one of thine (Heran, in einem deinem)
Text: Sonet 11, transl. Klaus Reichert

Sweets
Text: Sonnet 8 Original & transl. Klaus Reicher

Ganz bei Dir
Text: Sonnet 16 Reichert

Florabeat: (2019) (with Kaoko Amano, Soprano)
She sings like a diva
Sappho
Heartbeat
Rebirth

In Every World: (2019)
Your eyes light up my day
Going down to pray
Hearing your tenderness call
Her garden was love
In every world
Let her be
On the sea of gold
Smile my stranger
What were you then, my darling?
Take her to the river
Dancing with the sun
A noontide
This dream is breathing for the little ones

Before the Soft Wind: (2013)
Entangled
Run for the Sun
Nietzsche’s Lover
The Hourglass
Dear Father’s Home
Wonderland
Let down your golden hair
Ned’s Masquerade
You are my mantra
La Petite Châtelaine (2013)
The Wishing Well (2010)
Fifth Grade (2010)
Drive me to a distant shore (2010)
The Cricket Song (2010)
Who trapped the devil in the mountain (2010)